Monthly Archives: November 2013

OnOne Software solves your Adobe woes

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OnOne Software solves your Adobe woes

I don’t think anything has caused a bigger stir in the Photography World, then Adobe’s announcement they were going to a Subscription based Licensing (Creative Cloud) instead of their long standing Perpetual Licensing.

While subscription licensing makes sense for a lot of businesses, it’s not something that either small businesses or Hobbyists are used to nor do they like.

At first the cost was prohibitive, but that’s lessened a bit, but still for a lot of people that want to buy and then hold for a few product cycles it proved to be a thorn in their side.

I’m not here (nor will I) debate that subject. Nor am I here to do a full review of onOne Perfect Suite 8, which was released yesterday. I truly believe, it doesn’t matter much what I have to say about the software, they have a 30 day free trial so you have a whole month to take it for a spin and decide for yourself.

But I am here to tell you that onOne Prefect Photo  Suite 8 IS a replacement for Photoshop/Lightroom if you so desire one and a good one at that.  Continue reading »

Topaz Labs brings Clarity to the Milky Way – Photographing the Milky Way

Milky Way Shoot ABDSPTopaz Labs brings Clarity to the Milky Way – Photographing the Milky Way 

I’ve always loved looking up at a star filled sky in wonder. When I was a kid we would go camping in Canada. It was so dark up there away from all civilization I don’t think there was a star you couldn’t see. I remember seeing satellites fly across the sky when satellites were still new. 

But the truth was/is I’ve lived most of my life in or near big cities, first NYC and Philadelphia and now San Diego. So in my normal everyday life there wasn’t much star gazing. But there was something special about it. 

In my photography there wasn’t much of it either. Sure I did a few long exposures when I was out in the National Parks like Zion or Yellowstone. But that was when I shot film and film didn’t always offer the same possibilities or capabilities, whether it was max ISO or reciprocity. This was especially true when it came to shooting the Milky Way in color and having the stars static. 

Continue reading »