Topaz Labs DeNoise 50% off Sale

Mar
11
2014
by Peter | 0 Comments

From Today till March 31st. Topaz Labs is offering their great noise reduction Software – DeNoise for 50% off

Noise is a big problem for HDR makers and even for those that like to push the controls in Lightroom or Photoshop, or you simply made an exposure mistake and it’s a photo you just can’t get rid of.  Well you don’t have to.

Topaz Labs DeNoise is an “Extra Strength” noise reduction, It may take a little longer but the result is you can reduce noise without loosing detail which is the result of what a lot of noise reduction programs  do

Topaz DeNoise

To Take advantage of the 50% sale click on the Link below and enter Promo Code mardenoise

Topaz DeNoise

Nik, Topaz, Alien Skin users upgrade to onOne $50 off

Mar
10
2014
by Peter | 0 Comments

For a limited time onOne software is offering a competitive upgrade for owners of Nik, Topaz and Alien Skin Software

Get $50 off the regular price of on onOne’s amazing Perfect Photo Suite 8. Now only $129.95! Hurry time is limited

And remember, a lot of people are now using Perfect Photo 8 instead of Photoshop so now may be a great time to upgrade

 

Photomatix Pro 5 Review

Jan
06
2014
by Peter | 2 Comments

Photomatix 5 review 

I’m a little overdue with this review but it’s given me a little more time to play. 

In November, HDRsoft released Photomatix Pro 5, which contains one of the most important upgrades since changes to it’s De-Ghosting way back when. 

It’s no secret that since the release of Nik Software’s HDR Efex Pro 2, I’ve used that for the majority of my HDR Image Processing. I found it was able to accomplish a more natural look easily and of course that’s the look I prefer. However Nik had some serious side effects, the worst of which, its alignment and Chromatic Aberration control. And while it’s de-ghosting was very good; it just didn’t have the power or the versatility of Photomatix Pro.

I would, on some difficult images, use the superior alignment capabilities of Photomatix to create a 32Bit Radiance file and then open that in HDR Efex Pro 2 to do my tone mapping. But with Nik acquisition by Google, I truly doubt that there will be any further releases or significant Updates to HDR Efex Pro 2 or any of Nik’s other software. Which IS very good but without support, I don’t see much future. 

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OnOne Software solves your Adobe woes

Nov
27
2013
by Peter | 4 Comments

OnOne Software solves your Adobe woes 

I don’t think anything has caused a bigger stir in the Photography World, then Adobe’s announcement they were going to a Subscription based Licensing (Creative Cloud) instead of their long standing Perpetual Licensing. 

While subscription licensing makes sense for a lot of businesses, it’s not something that either small businesses or Hobbyists are used to nor do they like. 

At first the cost was prohibitive, but that’s lessened a bit, but still for a lot of people that want to buy and then hold for a few product cycles it proved to be a thorn in their side. 

I’m not here (nor will I) debate that subject. Nor am I here to do a full review of onOne Perfect Suite 8, which was released yesterday. I truly believe, it doesn’t matter much what I have to say about the software, they have a 30 day free trial so you have a whole month to take it for a spin and decide for yourself. 

But I am here to tell you that onOne Prefect Photo  Suite 8 IS a replacement for Photoshop/Lightroom if you so desire one and a good one at that.  Continue reading »

onOne Software Releases Perfect Photo Suite 8

Nov
26
2013
by Peter | 1 Comment

PRESS RELEASE:
onOne Software Announces Availability of Perfect Photo Suite 8

New Perfect Eraser for Content-Aware Fill, Enhance and Browse Modules, Perfect Batch Processor, and Re-imagined Effects Module Evolve Popular Plug-In Into a Complete Photo Editing Solution for Every Workflow

Portland, OR – November 26, 2013 – onOne Software, Inc., a leading developer of innovative digital photography solutions, today announced the availability of Perfect Photo Suite 8—the Photographer’s Choice for Photo Editing. Perfect Photo Suite 8 is a full-featured, standalone photo editor that also integrates seamlessly with Adobe Photoshop, Lightroom, Photoshop Elements, and Apple Aperture. It includes all the best tools a photographer needs to create stunning images.

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Topaz Labs brings Clarity to the Milky Way – Photographing the Milky Way

Nov
22
2013
by Peter | 1 Comment

Milky Way Shoot ABDSPTopaz Labs brings Clarity to the Milky Way – Photographing the Milky Way 

I’ve always loved looking up at a star filled sky in wonder. When I was a kid we would go camping in Canada. It was so dark up there away from all civilization I don’t think there was a star you couldn’t see. I remember seeing satellites fly across the sky when satellites were still new. 

But the truth was/is I’ve lived most of my life in or near big cities, first NYC and Philadelphia and now San Diego. So in my normal everyday life there wasn’t much star gazing. But there was something special about it. 

In my photography there wasn’t much of it either. Sure I did a few long exposures when I was out in the National Parks like Zion or Yellowstone. But that was when I shot film and film didn’t always offer the same possibilities or capabilities, whether it was max ISO or reciprocity. This was especially true when it came to shooting the Milky Way in color and having the stars static. 

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Using the Histogram to Ensure you have covered the Dynamic Range of a Scene

Aug
30
2013
by Peter | 6 Comments

HisogramAs I discussed in this article: How many Exposures are enough the most important part of the -How many exposures do I shoot – is the fact that you need to cover the entire dynamic range of the scene. As the article pointed out the spacing between exposures was not AS important as covering the entire range.

In this article  Measure & Exposing for HDR I told you how to meter different areas of the scene to know the range of shutter speeds you would need to shoot to cover the dyanmic range. But even though it’s a good way to get you close, there still can be some margin of error because of course we know…sometimes the meter gets fooled. Continue reading »

Depth of Field – In Depth

Aug
14
2013
by Peter | 11 Comments

Depth of Field – In Depth

Everything you wanted to know about Depth of Field and some things you didn’t but you will be glad you did

So you may think you understand Depth of Field (DOF) but do you? Let’s try to confirm what you do know and maybe show you a couple things you didn’t.

What is Depth of Field?

Let’s start with a definition: Depth of field is the total distance that is in “acceptable focus” from our actual point of focus. Let’s clarify that definition further because we artistic minded hate reading definitions.

When you focus on an object, you have a “point of focus” that is the only part that is 100% sharp and in focus, then you have a “field of acceptable focus” in front of and behind that point. That area is the total Depth of Field Continue reading »

Advanced Metering

Aug
14
2013
by Peter | 5 Comments

Advanced Metering

In the blog post “How to Shoot in Manual” I gave some very basic information about where you meter is in your camera and how to use it. In this post we’ll talk really In-Depth about your Camera’s meter

and how to get the most out of it and when to know when it is lying to you and how to correct for that.

What type of Meter do we have in our camera?

The Meter we have in our cameras are known as “Reflective” meters. What they actually meter is the light reflected off of our subject, what we are shooting. This is different than Hand Held Meters. While those meters can be used also to measure reflected light, they normally measure the light source itself also known as “Ambient” or Incident” light and are mostly used to measure the light from Strobes/Flashes that a reflected meter can not. Continue reading »

Topaz Labs introduces ReStyle

Aug
08
2013
by Peter | 2 Comments
ReStyle_box_clear-125x175Topaz Labs introduces ReStyle 
 
I’m sure most of the readers here are familiar with Tone-Mapping. Where we take a specific tone (lightness) and change it to a different tone (Lighten or darken). But what if we could instead do the same thing but with Color and Hue..In other words; Color-mapping. Taking something of a specific color or hue and changing bit to another.
 
Well, the good folks at Topaz Labs have brought that to you. With “Styling” apps all the rage for your Smart Phone Pics, why not take that idea to a professional level. Whether it’s a cross processed look or a dark and Smokey look to your image. Just about anything is Possible with Topaz Labs Re-Style

Software Review – Topaz Lab’s new -Clarity

May
22
2013
by Peter | 0 Comments

Clarity_box_clearTopaz Labs Clarify – Get the Funk out of your HDR

Read to the end for a special Discount Code on Topaz Labs Clarity

Just released today is the new software from our friends at Topaz Labs – Clarity

Some of you may have read the article I wrote on “Why HDRs don’t look real” In it I went on about how what’s missing in a lot of HDRs is Midtone Shadow and Midtone Contrast. Controlling these two things either in the original HDR process or later in post can really do a lot to add photorealistic look to your HDR or actually any image.

Continue reading »

Topaz Labs releases B & W Effects 2.1

Apr
11
2013
by Peter | 0 Comments

bwbox_transparentToday Topaz Labs announced the realease of B & W Effects 2.1

As always the update is fre to anyone that owns B & W Effects

The new updates to B&W Effects 2.1 make it the most powerful and comprehensive black and white conversion software on the market. The two biggest additions are:

The Zone System Viewing Mode lets you see your image broken down into 11 zones that represent the full tonal scale going from 0 as black to 10 as white. Zones are shown in different highlight colors for easy viewing. This viewing mode helps you determine whether or not you have the full tonal range in your image and then make exposure adjustments in our conversion module to correct these tones.

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Why HDRs Don’t Look Real

Apr
11
2013
by Peter | 5 Comments

10_MG_4458-blankWhy HDRs don’t look real  

Let’s start out by saying; you may not want your HDRs to look real, maybe that’s not your Artistic intent or vision. Or maybe you don’t even know what your artist intent or vision is and maybe you are just following what others do. And that’s OK, It all depends what you want out of something. But perhaps, if you want to take images beyond snapshots and work on Art you may want to delve into what your vision is. 

But on the pretense that you want your images to look real and natural, what is it that makes so many HDR images not look real at all? 

The quick answers is: lack of shadow. 

Continue reading »

HDR Pro in Photoshop CS6 – Using ACR

Feb
28
2013
by Peter | 1 Comment

Photoshop CS6I’ve never been a fan of making HDRs in Photoshop; other programs like Photomatix and Nik HDR Efex Pro 2 were just simpler and just had much better results. So when I upgraded to Adobe Photoshop CS6  ® a few months ago ( Which I absolutely LOVE), I have to be honest, I really didn’t even take much more than a cursory look at its improved HDR module. 

But I thought, if I’m going to talk and teach HDR I need to look at all the tools out there. Not everyone will have the same tools and they may need advice on using a different one. 

So I went back to explore HDR Pro in Photoshop CS6. ®

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Twilight – Nature’s HDR

Feb
25
2013
by Peter | 1 Comment

13_MG_3603-TI’m often amused when I shoot the sunset and there are other photographers around. As soon as the sun dips below the horizon line, they fold their tripods and pack up their gear and head home. Sometimes it’s when I just start shooting.

Twilight is a wonderful time…sometimes.  It really can be seen and used well in the desert, especially the low desert that is surrounded by mountains. When you shoot around mountains, the twilight period is extended by 1/2 to a full hour because the sun will set behind the mountains, but still has not set below the horizon.

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